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My Unilateral Debate: Katharine Susannah Prichard, Rebel Heroes and Matters Pertaining

Mateship, Individualism and the Production of Character in Australian Fiction

Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*

War Correspondents in Australian Literature: An Outline

From the Sudan to Saigon: A Critical Review of Historical Works

Rufus Dawes and Changing Narrative Perspectives in *His Natural Life*

From Pleasure Domes to Bark Huts: Architectural Metaphors in Recent Australian Fiction

A.B. Facey’s Australian Autobiography

Ripping Yarns, Ideology, and *Robbery Under Arms*

‘White Ravens’ in a World of Violence: German Connections in Thomas Keneally’s Fiction

Impossible Literary Histories

Grant Watson and the Aborigine: A Tragic Voice in an Age of Optimism

Marcus Clarke and the Theatre

Narrative Perspective and Cultural History in *Robbery Under Arms*

Transfigured Histories: Recent Novels of Patrick White and Robert Drewe

Assimilation or Appropriation: Uses of European Literary Forms in Black Australian Writing

The Short Story Cycles of Frank Moorhouse

Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in English

Lesbia Harford’s Homefront Warrior and Women’s World War I Writing

What Can Be Read and What Can Only Be Seen in Tim Winton’s Fiction