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- Review of *Shirley Hazzard: Literary Expatriate and Cosmopolitan Humanist*, by Brigitta OlubasReview1 November 2012
- Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*Essay3 October 2024
- Francis Adams: Realism and Sensation in the 1880sEssay31 October 2015
- The ABC and The Sponsorship of Australian Radio Drama: 1932-1951Essay1 October 1982
- Some Developments in Short Fiction, 1969-1980Essay1 October 1981
- At the Edge: Geography and the Imagination in the Work of David MaloufEssay1 May 1985
- The Boer War: Paterson, Abbott, Brennan, Miles Franklin and MorantEssay1 October 1985
- James McAuley’s New Guinea : Colonialism, Modernity and SuburbiaEssay1 November 1998
- Short Story Anthologies and ‘the Solid Body of Australian Fiction’Essay1 May 2000
- ‘Touches of Nature that Make the Whole World Kin’: Furphy, Race and AnxietyEssay1 November 2000
- *West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of MovementEssay1 May 2011
- Beatrice Davis and ‘The Sacredness of the Printed Word’Essay1 October 2012
- Cooper, Cather, Prichard, 'Pioneer': The Chronotope of Settler ColonialismEssay1 June 2016
- One Decade, Two Accounts: The Aboriginal Arts Board and ‘Aboriginal literature’, 1973-1983Essay5 May 2016
- Picturising Patois in *The Sentimental Bloke*Essay18 December 2023
- Defining the Field of Irish-Australian Literature: Challenges and ConundrumsEssay30 September 2021
- A Lady’s Letter from London: 1873-1908Essay1 October 1984
- Short NoticesReview1 May 1977
- ‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930sEssay7 December 2016
- Magda Meets Theodora: Language and Interiority in *The Aunt’s Story* and *In The Heart of the Country*Essay25 February 2018