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- Michael Wilding’s Three Centres of ValueEssay1 May 1998
- Origin, Identity and the Body in David Malouf’s FictionEssay1 May 1999
- ‘Roost High and Crow Low’: The Legacy of Barry AndrewsEssay1 May 2000
- Veronica Brady’s Biography of Judith WrightEssay1 October 1999
- Obscene and Over Here : National Sex and the Love Me Sailor Obscenity TrialEssay1 October 2002
- C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval WarEssay1 May 2007
- ‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial DistancingEssay1 November 2008
- Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*Essay1 October 2008
- Reading DickensEssay1 October 2014
- Local Moderns: The Jindyworobak Movement and Australian ModernismEssay1 May 2012
- The Politics of English Studies in IndiaEssay1 June 2013
- Persian Sheep, Hawksbill Turtles and Vodsels: The Ethics of Eating in Some Contemporary NarrativesEssay1 June 2010
- Recollections Through English SpectaclesEssay1 October 1979
- Review of *Mick: A Life of Randolph Stow*, by Suzanne FalkinerReview25 February 2018
- Review of *The Transported Imagination: Australian Interwar Magazines and the Geographical Imaginaries of Colonial Modernity*, by Victoria Kuttainen, Susann Liebich and Sarah GalletlyReview5 July 2019
- Review of *Colonial Ballads* by Hugh AndersonReview1 December 1963
- Review of *The Poetical Works of Henry Kendall* edited by T.T. Reed, and *The Landscape of Australian Poetry* by Brian ElliottReview1 October 1968
- Thomas Keneally’s ‘Innocent’ MenEssay1 May 1981
- Authors’ Statements [Barry Hill]Essay1 October 1981
- Authors’ Statements [Jean Bedford]Essay1 October 1981