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A Ghost Story in Two Part : Charles Dickens, Peter Carey, and Avenging Phantoms

Displaying the Monster: Patrick White, Sexuality, Celebrity

*West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of Movement

Reading and Writing Communities in the Trenches 1914-1918 (France and Italy)

Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*

Ladies Pets and the Politics of Affect: Elizabeth Barrett Browning and Flush

Words, Sticks and Stones: Keneally, Literature and Social Impact

Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice Tawhai

Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*

Serving ‘a Male Philosophy’? *Elizabeth Costello*’s Feminism and Coetzee’s Dialogues with Joyce

Constructing Cosmopolitanism, Promoting Humanitarianism: The Marvellous Melbourne of E.W. Cole in Lisa Lang’s *Utopian Man* (2010)

Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*

The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*

Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria*

**Contingencies of Meaning Making: English Teaching and Literary Sociability**

Revisiting the ‘Problem’ of Anthropomorphism through Ceridwen Dovey’s *Only the Animals* (2014)

‘Nearly all deep fertile soil’: Les Murray, His Son and Autism

Site Unscene: Medial Ideology and the Literary Interface

‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial Georgic