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- ‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern ReaderEssay1 May 2006
- Greeks and Moderns: The Search for Culture in the *Official History of Australia in the War of 1914-1918*Essay1 October 2007
- Elizabeth Jolley’s Late WorkEssay1 May 2009
- Generations Lost and Found: Reading Women Writers TogetherEssay1 October 2009
- Valerie Solanas and the Limits of SpeechEssay1 November 2009
- You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*Essay1 June 2010
- Biopolitics and Eleanor Dark’s *Prelude to Christopher*Essay1 June 2011
- Counter-PoeticsEssay1 June 2011
- ‘To favourably impress the Oriental mind with western knowledge’: Xiaohai yuebao (The Child’s Paper, 1875-1915) and International Print CultureEssay1 October 2014
- The Reading Communities of Collecting: Sale Catalogues, Sociability, and Ephemerality, 1676-1862Essay1 October 2014
- Beyond Capricornia: Ambiguous Promise in Alexis WrightEssay1 May 2009
- Establishing an Australian/Caribbean Alliance: Stories Passed on by Penny van Toorn and Olive SeniorEssay1 November 2010
- A Dog with a Broken Back: Animals as Rhetoric and Reality in the Fiction of J. M. CoetzeeEssay1 June 2010
- Waking up the Colours: Memory and Allegory in Iranian Hip Hop and Ambient MusicEssay1 June 2014
- Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early FictionEssay1 November 2011
- Reading in Public: Irene Longman and CitizenshipEssay1 October 2012
- Poetry, Activism and Cultural CapitalEssay1 November 2013
- Rescuing Reading: Strategies for Arresting the Decline of Reading in Western Australian Newspapers between the WarsEssay1 October 2014
- Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.Essay10 August 2016
- ‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*Essay7 December 2016