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- Demidenko/Darville: A Ukrainian-Australian Point of ViewEssay1 October 2004
- ‘But who considers woman day by day?’: Australian Women Poets and World War IEssay1 May 2007
- ‘That Wild Run to London’ : Henry and Bertha Lawson in EnglandEssay1 October 2007
- Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and AestheticsEssay1 November 2008
- ‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s FictionEssay1 October 2006
- Remembering the War: Australian Novelists of the InterWar YearsEssay1 October 2007
- *West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of MovementEssay1 May 2011
- Patrick White, Saul Bellow and the Problem of Literary ValueEssay1 June 2012
- Afterword: The Story of a BookmarkEssay1 June 2013
- Reading and Writing Communities in the Trenches 1914-1918 (France and Italy)Essay1 October 2014
- Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*Essay1 November 2010
- Interview with David MaloufEssay1 May 2010
- Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice TawhaiEssay1 November 2010
- Honour the Single Soul: Homage to Randolph Stow (1936-2010)Essay1 May 2011
- Rewriting Anthropology and Identifications on the North Pacific Coast: The Work of George Hunt, William Beynon, Franz Boas, and Marius BarbeauEssay1 November 2010
- Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional VerseEssay1 June 2014
- ‘Our Literary Connexion’: Rosa Praed and George BentleyEssay1 October 2012
- Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’Essay1 November 2013
- Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance NovelsEssay3 December 2018
- The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*Essay10 August 2016