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- ‘Taking a Risk’: Disability, Prejudice and Advocacy in the Editing and Publishing History of Ruth Park’s *Swords and Crowns and Rings*Essay23 May 2022
- Porous Realism and the Precarious Home in Ruth Park’s FictionEssay3 October 2024
- Neo-Victorian Approaches to the Colonial Past in Ruth Park’s *Playing Beatie Bow*Essay3 October 2024
- Christina Stead’s Earliest PublicationsEssay7 December 2016
- *Unspoken Thoughts*: A Reassessment of Ada CambridgeEssay1 May 1989
- Interview with Christina SteadEssay1 October 1980
- Henry Lawson and the ‘Pinker of Literary Agents’Essay1 October 2007
- Biopolitical Correspondences: Settler Nationalism, Thanatopolitics, and the Perils of HybridityEssay1 June 2011
- Constructing Cosmopolitanism, Promoting Humanitarianism: The Marvellous Melbourne of E.W. Cole in Lisa Lang’s *Utopian Man* (2010)Essay19 September 2017
- Catherine Helen Spence, Unitarian UtopianEssay1 May 1971
- Voss and His Communications: A Structural ContrastEssay1 October 1982
- John TranterEssay1 October 1977
- Charles Harpur’s ‘Midsummer Noon’: A Structuralist ApproachEssay1 October 1978
- Homages and Invocations: The Early Poetry of Robert AdamsonEssay1 October 1989
- The Language of Music: Helen Garner’s *The Children’s Bach*Essay1 October 1990
- From Kath Walker to Oodgeroo Noonuccal? : Ambiguity and Assurance in *My People*Essay1 November 1994
- An Interview with Tim WintonEssay1 October 1996
- Dancing ‘on Bits of Paper’ : Les Murray’s SoundscapesEssay1 October 2001
- ‘His Grief Is the Plague’ Poetry of Loss and the Risk of Losing One’s ReadersEssay1 November 2013
- ‘A Message to Humanity on Behalf of the Adult Deaf’: The Protest Writing of John Patrick BourkeEssay23 May 2022