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- Joyce Eyre and Australian Literature at the University of TasmaniaEssay1 November 2008
- Bottling the Forbidden Fruit: Marion Halligan’s FictionEssay1 October 2008
- ‘Nearly all deep fertile soil’: Les Murray, His Son and AutismEssay23 May 2022
- Apocalyptic Climate Fiction in the Third Media Revolution: Briohny Doyle’s *The Island Will Sink*Essay30 September 2022
- Kangaroo Redux: Reading the Conflicts of South Australian Settler Colonialism in W.A. Cawthorne’s *Kuperree*Essay30 September 2022
- ‘His Grief Is the Plague’ Poetry of Loss and the Risk of Losing One’s ReadersEssay1 November 2013
- Listening between the Lines: Introduction: Exploring Interdisciplinarity between Music and LiteratureEssay1 June 2014
- Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of PerformanceEssay1 June 2014
- Conceptualising Irish-Aboriginal WritingEssay30 September 2021
- Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)Essay18 December 2023
- H. G. Wells in AustraliaEssay30 May 1990
- Gay and Lesbian Writing and Publishing in Australia, 1961-2001Essay1 May 2010
- Antipodal Ireland and Tasmanian Underworlds: John Mitchel and William Moore FerrarEssay30 September 2021
- Bruce Dawe and the AmericansEssay1 October 1979
- Literary Festivals and Cultural ConsumptionEssay1 May 2009
- A Critical Review of Writings on The Vocabulary of Australian EnglishEssay1 December 1963
- Xavier Herbert: *Capricornia*Essay1 October 1970
- Literary Nationalism and the 1890sEssay1 May 1971
- Review of *Vance Palmer* by Harry HeseltineReview1 October 1971
- Miles Franklin on Dearborn Street, Chicago, 1906-15Essay1 May 1982