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The Asian Conspiracy: Deploying Voice/Deploying Story

Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice Tawhai

Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes Herself

Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ Fiction

Economies of Childhood in Nineteenth-Century Australia: Catherine Helen Spence’s Short Fiction for Children

The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*

**Contingencies of Meaning Making: English Teaching and Literary Sociability**

‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial Georgic

Caesura and the Deforming Poem: Rupture as a Space for the Other

‘It’s Best to Leave This Constructive Ambiguity in Place!’: The Evaluation of Research in Literary Studies

Australian Letters and Postwar Modernity

Literary Festivals and Cultural Consumption

Capricornia : Seasonal, Diurnal and Colour Patterns

Reading Byron in Kororāreka: *The Journal of Ensign Best*

The Making of Thomas Keneally

Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian Gray

Aboriginality in *Ethel Turner’s Seven Little Australians* and Its Translation into German

Society and Nature in Such is Life

William Baylebridge : Man’s Voice Proclaiming Man

Folksong - A Protest