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Bottling the Forbidden Fruit: Marion Halligan’s Fiction

Jolley’s Women

Revisiting the ‘Problem’ of Anthropomorphism through Ceridwen Dovey’s *Only the Animals* (2014)

**Wenz Reinvented: The Making and Remaking of a French-Australian Transnational Writer**

Charismatic Masculinity in David Malouf’s Fiction

Defining the Field of Irish-Australian Literature: Challenges and Conundrums

Historical Patterns in the *Multiple Effects of Rainshadow* and *The Tall Man*

Textual Encounters of the Bird Kind: Dal Stivens and the Night Parrot

The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*

‘Taking a Risk’: Disability, Prejudice and Advocacy in the Editing and Publishing History of Ruth Park’s *Swords and Crowns and Rings*

Australian Letters and Postwar Modernity

‘Botany Bay Litterateur’ : D.H. Deniehy’s Literary Criticism

A.D. Hope and the Poetry of Allusion

Symbolism and the Antipodes: The Fallen Woman in Caroline Leakey’s *Lyra Australis, or Attempts to Sing in a Strange Land*

Colonialism, Racial Violence and Loss: *The Chant of Jimmie Blacksmith* and *The Roving Party*

Australian Literary Studies in the 1940s: The Commonwealth Literary Fund Lectures

Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian Gray

Aboriginality in *Ethel Turner’s Seven Little Australians* and Its Translation into German

The Prototype of Richard Mahony

Australian Prose Literature of the First World War : A Survey