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Australian Literary Criticism: Future Directions

Review of *Christina Stead: Satirist*, by Anne Pender, and *The Enigmatic Christina Stead: A Provocative Re-Reading*, by Teresa Petersen

Under the Influence? Adam McCay: Journalist, Poet, Letter Writer and Influential Friend

**Aboriginal Mobilities and Colonial Serial Fiction**

Writing Disability in Australia: Transmedial Potentials for Illness/Recovery Narratives

Review of *A World of Fiction: Digital Collections and the Future of Literary History*, by Katherine Bode

Sir Samuel Griffith, Dante and the Italian Presence in Nineteenth-Century Australian Literary Culture

White Closets, Jangling Nerves and the Biopolitics of the Public Secret

Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ Play

James McAuley’s New Guinea : Colonialism, Modernity and Suburbia

The Drowned World of Kenneth Slessor

‘This Country is My Mind’: Les Murray’s Poetics of Place

Unknown Australia: Rosa Praed’s Vanished Race

The Australian Home-Front Novel of the Second World War: Genre, Gender and Region

First Steps toward a History of the Mid-Victorian Novel in Colonial Australia

Ladies Pets and the Politics of Affect: Elizabeth Barrett Browning and Flush

A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*

Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional Verse

Composing *Rayuela*: The Musical Element in Julio Corrazar’s Narrative

Serving ‘a Male Philosophy’? *Elizabeth Costello*’s Feminism and Coetzee’s Dialogues with Joyce