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Grievous Music: Randolph Stow’s Middle Ages

Rediscoverd Lawson Sketch of 1863 ‘Selection Farms’

Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*

Les Murray’s Talking Mosaics

Cooper, Cather, Prichard, 'Pioneer': The Chronotope of Settler Colonialism

The Australian Kangaroo Hunt Novel (1830–1858) as *Bildungsroman*

A Lost Satire on the 1890s *Bulletin* Writers and Bohemians

Annual Bibliography of Studies in Australian Literature: 1992

Annual Bibliography of Studies in Australian Literature: 1999

Displaced Homelands in Gerald Murnane’s *Inland*

Visions of Western Sydney in Howard’s Australia: Luke Carman’s *An Elegant Young Man*, Peter Polites’s *Down the Hume* and Michael Mohammed Ahmad’s *The Lebs*

Antipodal Ireland and Tasmanian Underworlds: John Mitchel and William Moore Ferrar

Irish Republicanism and the Colonial Australian Bushranger Narrative

Introduction: The Uses of Irish-Australian Literature

By Association: Crafting Mission and Values Statements for the Australian University Heads of English

Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*

‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*

Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)

When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’

Perceptions of the Enemy in Australian War Literature