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A.D. Hope’s Latter-Day Ulysses: ‘The End of a Journey’ and the Literary Background

Asian Stereotypes in Recent Australian Plays

From the Sudan to Saigon: A Critical Review of Historical Works

Voices in Time: *A Kindness Cup* and *Miss Peabody’s Inheritance*

The Sites of War in the Fiction of Thomas Keneally

Alan Seymour

Old Orders, New Lands: The Earth Spirit in Picnic at Hanging Rock

Last Flight to Byzantium: *Memoirs of Many in One*

‘Savage Paradise’: History, Violence and the Family in Some Recent Australian Fiction

The Short Story Cycles of Frank Moorhouse

Feral Symbolists: Robert Adamson, John Tranter, and the Response to Rimbaud

‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard Eldershaw

Enlarging Our Experiments with Narrative: John A. Scott’s Triology with Annotations

‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth Park

‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous Melbourne

The Company She Keeps: Demidenko and Imposture in Autobiography

Future Tense: *Dead Europe* and Viral Anti-Semitism

The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You Know

‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin Trilogy

Contemporary Poetry and the Sacred: Vincent Buckley, Les Murray and Samuel Wagon Watson