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Australian Literature: Points for Departure

The Literary Reputation of Adam Lindsay Gordon

Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary History

Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War Memorial

Unbecoming Australians : Crisis and Community in the Australian Villa/ge Book

‘Will This be Your Poem, or Mine?’: The Give and Take of Story

Of Sages and Sybils: Alec Hope and Judith Wright

The Telling of Marmel’s Story

‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*

Simple Facts of Light and Stone: The Eco-Phenomenology of Anthony Lawrence

Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*

Friendship in a Time of Loneliness

Elizabeth Jolley’s Late Work

Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth Jolley

You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*

*The Lives of Others*: Tactics of Encounter and Wandering in Jennifer Maiden’s Poetry

Counter-Poetics

Humanitarian Sex: Biopolitics, Ethics, and Aid Worker Memoir

Conceptual Poetry, Nonconceptual Poetry, Postconceptual Poetry

Establishing an Australian/Caribbean Alliance: Stories Passed on by Penny van Toorn and Olive Senior