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- Oodgeroo: Orator, Poet, StorytellerEssay1 November 1994
- Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria*Essay29 October 2020
- Review of *Black Words, White Page: Aboriginal Literature 1929-1988* by Adam ShoemakerReview1 May 1990
- ‘Greetings to the Angry Penguins’: Ern Malley, Harry Roskolenko and USA ConnectionsEssay1 May 1996
- Setting the Record Straight: Bibliography and Australian LiteratureEssay1 October 2003
- Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial RecastingEssay1 May 2005
- Mudrooroo: Crafty Imposter or Rebel with a CauseEssay1 October 2004
- Bottling the Forbidden Fruit: Marion Halligan’s FictionEssay1 October 2008
- Editing ALS: A MemoirEssay1 June 2013
- Listening between the Lines: Introduction: Exploring Interdisciplinarity between Music and LiteratureEssay1 June 2014
- Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of PerformanceEssay1 June 2014
- Rewriting the Past: Exploration and Discovery in *The Transit of Venus*Essay1 May 1992
- Conceptualising Irish-Aboriginal WritingEssay30 September 2021
- Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences FrontierEssay30 October 2023
- The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*Essay3 December 2018
- ‘Botany Bay Litterateur’ : D.H. Deniehy’s Literary CriticismEssay1 October 1979
- Ecopastoralism: Settler Colonial Pastoral Imaginary in the US West and Australian OutbackEssay30 June 2015
- Reading Byron in Kororāreka: *The Journal of Ensign Best*Essay31 October 2015
- Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian GrayEssay1 November 2015
- Louis Stone’s ‘Jonah’ : A Cinematic NovelEssay1 June 1965