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- Miles Franklin on American Manhood and White Slavery: The Case of ‘Red Cross Nurse’Essay1 May 2007
- ‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin TrilogyEssay1 October 2006
- Burglary in Shady Hill and Sarsaparilla: The Politics of Conformity in White and CheeverEssay1 October 2006
- ‘I shall tell just such stories as I please’ : Mary Fortune and the *Australian Journal*Essay1 October 2007
- The Modernist Sacred: Randolph Stow and Patrick WhiteEssay1 October 2007
- Greeks and Moderns: The Search for Culture in the *Official History of Australia in the War of 1914-1918*Essay1 October 2007
- Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*Essay1 October 2008
- Friendship in a Time of LonelinessEssay1 May 2009
- Along Gender Lines: Reassessing Relationships between Australian Novels, Gender and Genre from 1939 to 2006Essay1 October 2009
- Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth JolleyEssay1 October 2009
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 October 2009
- You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*Essay1 June 2010
- Humanitarian Sex: Biopolitics, Ethics, and Aid Worker MemoirEssay1 June 2011
- Reading DickensEssay1 October 2014
- The Reading Communities of Collecting: Sale Catalogues, Sociability, and Ephemerality, 1676-1862Essay1 October 2014
- Patrick White’s Studies for *Voss*Essay30 September 2022
- ‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*Essay1 May 2011
- The Impact of LiteratureEssay1 November 2013
- Parliamentary Medievalism: The Australian Magna Carta as Secular RelicEssay1 November 2011
- Mary Fortune as Sylphid: ‘blond, and silk, and tulle’Essay1 October 2012