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- ‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic OmerosEssay1 October 2001
- Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian GrayEssay1 November 2015
- Kate Baker, ‘Standard-Bearer’Essay1 May 1980
- Reading DickensEssay1 October 2014
- ‘Having Fun with the Professors’: Gwen Harwood and Doctor EisenbartEssay26 February 2017
- Review of *Half the Perfect World: Writers, Dreamers and Drifters on Hydra, 1955-1964*, by Paul Genoni and Tanya DalziellReview3 December 2018
- Commonwealth Patronage for a Patron’s DaughtersEssay1 October 1982
- Review *John Shaw Neilson* by Hugh Anderson and L.J. BlakeReview1 May 1973
- Review of books by Randolph Bedford, Eric Drayton Davis, Harry F. Chaplin and Robert D. FitzgeraldReview1 May 1978
- Review of *The Stenhouse Circle: Literary Life in Mid-Nineteenth Century Sydney* by Ann-Mari JordensReview1 May 1980
- Review of *Imagined Lives: A Study of David Malouf*, *Sheer Edge: Aspects of Identity in David Malouf's Writing*, *David Malouf*, and *Randolph Stow*Review1 May 1992
- Review of *Locating Australian Literary Memory*, by Brigid MagnerReview29 October 2020
- The Origin of ‘The Settler’s Lament’Essay1 June 1963
- Review of *Thomas Keneally’s Career and the Literary Machine* by Paul Sharrad.Review28 October 2021
- The Historical Basis of ‘Robbery Under Arms’Essay1 June 1965
- Revaluing Australian Legends: Some Plays by Jack HibberdEssay1 May 1978
- Gambling on Reality: A Reading of Peter Carey’s *Oscar and Lucinda*Essay1 June 1991
- Walter and Mary Richardson’s Letters and *The Fortunes of Richard Mahony*Essay1 May 1998
- Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*Essay1 May 1995
- *Geoffry Hamlyn* and Its Australian SettingEssay1 June 1963