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- ‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her CriticsEssay1 May 1997
- Review of *Antipodean Encounters: Australia and the German Literary Imagination 1754-1918* by Alan Corkhill, and *German Images in Australian Literature from the 1940s to the 1980s* by Irmtraud PeterssonReview1 May 1992
- My Brilliant Career and 1890s GoulburnEssay1 October 2002
- Review of *The Intimate Empire: Reading Women's Autobiography*, by Gillian WhitlockReview1 October 2000
- Review of *Australian Short Fiction: A History*, by Bruce BennettReview1 May 2003
- In His Own Sweet Time: Carmen’s Coming OutEssay1 October 2004
- Reading Carey Reading MalleyEssay1 October 2004
- Review of *The Default Country: A Lexical Cartography of Twentieth Century Australia*, by J.M. ArthurReview1 October 2003
- Clem Christensen and His LegacyEssay1 May 2004
- Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary HistoryEssay1 October 2004
- Review of *Ida Leeson: A Life - Not a Blue-Stocking Lady*, by Sylvia MartinReview1 May 2007
- Review of *Mudrooroo: A Likely Story*, by Maureen ClarkReview1 November 2008
- Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of RepresentationEssay1 November 2009
- Tainted Testimony : The Khouri AffairEssay1 October 2004
- Review of *Henry Handel Richardson: A Life*, by Michael AcklandReview1 October 2006
- The Eco-Humanities as Literature: A New Genre?Essay1 October 2008
- Review of *Creme de Ia Phlegm: Unforgettable Australian Reviews*, edited by Angela BennieReview1 October 2008
- Review of *Flashing Eyes and Floating Hair: A Reading of Gwen Harwood's Pseudonymous Poetry*, by Cassandra L. AthertonReview1 October 2008
- Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*Essay1 October 2008
- Review of *Lighting Dark Places: Essays on Kate Grenville*, edited by Sue KossewReview1 June 2011