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An Interview with Christopher Koch

‘It’s Best to Leave This Constructive Ambiguity in Place!’: The Evaluation of Research in Literary Studies

Review of *Adam Lindsay Gordon* by W.H. Wilde; and *Rolf Boldrewood* by Alan Brissendon

Review of *Peter Carey*, by Graham Huggan, and *Peter Carey*, by Bruce Woodcock

Review of *Networked Language: Culture and History in Australian Poetry*, by Philip Mead

Review of *The Memoirs of James Hardy Vaux, Including his Vocabulary of the Flash Language*, edited by Noel McLachlan

Review by Brian Elliott

Review of books by Nancy Keesing, James McAuley and Barry Andrews

Review of *God's Fool: The Life and Poetry of Francis Webb* by Michael Griffith, and *Spirit in Exile: Peter Porter and His Poetry* by Bruce Bennett

Review of *Ink in Her Veins: The Troubled Life of Aileen Palmer*, by Sylvia Martin

Authors’ Statements [T. A. G. Hungerford]

Alan Wearne: Interview

The Origin of ‘The Settler’s Lament’

Interviewed by Martin Harrison

‘What You See Must Be Other’: Language and Eros in the Poetry of Richard Kelly Tipping

‘Deep Ancestral Voices’: Inner and Outer Narrative in Christopher J. Koch’s *Highways to a War*

Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of Performance

Gerald Murnane’s Class: A Review of *Murnane*, by Emmett Stinson

Australian Bards and British Reviewers

An Interview with Gabrielle Lord