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- The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*Essay10 August 2016
- The Fortunate FlâneuseEssay1 November 2015
- From Pleasure Domes to Bark Huts: Architectural Metaphors in Recent Australian FictionEssay1 May 1987
- Olivia and Chloe: Fictions of Female FriendshipEssay1 May 1989
- Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and LettersEssay1 May 1993
- Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian ContextsEssay1 May 2004
- Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary HistoryEssay1 October 2004
- Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth JolleyEssay1 October 2009
- Biopolitics and Eleanor Dark’s *Prelude to Christopher*Essay1 June 2011
- Displaced Selves in Contemporary Fiction, or the Art of Literary ActivismEssay1 November 2013
- The Impact of LiteratureEssay1 November 2013
- Review by Julian CroftReview1 May 1982
- A Lady’s Letter from London: 1873-1908Essay1 October 1984
- *In the Heart of the Country* and Pain: Re-reading Space, Gender and AffectEssay25 February 2018
- A Reply to W.H. PearsonEssay1 May 1969
- Facts and Fiction: Revaluing Helen Simpson’s *Boomerang*Essay1 October 1982
- Review of *The Oxford History of Australian Literature* ed. Leonie Kramer, and *The Stockyard and the Croquet Lawn* by G.A. WilkesReview1 May 1982
- Resisting Productionist Timescapes by Making Better Futures in the Present: Care for Country in Western Sydney LiteraturesEssay25 May 2024
- Why the ‘Pathetic Fallacy’ Isn’t One: Early Modern Vitalism and the Emotions of Nature in Shakespeare and MiltonEssay30 June 2015
- The Asian Conspiracy: Deploying Voice/Deploying StoryEssay1 October 2010