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‘Touches of Nature that Make the Whole World Kin’: Furphy, Race and Anxiety

Unknown Australia: Rosa Praed’s Vanished Race

First Steps toward a History of the Mid-Victorian Novel in Colonial Australia

The Creation of Rachel Henning: Personal Correspondence to Publishing Phenomenon

‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.

‘A Message to Humanity on Behalf of the Adult Deaf’: The Protest Writing of John Patrick Bourke

Short Fiction Short Nation: The Ideologies of Australian Realism

Cooper, Cather, Prichard, 'Pioneer': The Chronotope of Settler Colonialism

Annual Bibliography of Studies in Australian Literature: 1988

Challenging the Editing of the Rachel Henning Letters

Annual Bibliography of Studies in Australian Literature: 2003

Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* Trilogy

Porous Realism and the Precarious Home in Ruth Park’s Fiction

Back to Whitton Week: Tracking Tom Keneally's Career

William Hay and History : A Comment on Aims, Sources and Method

The Treatment of the Aborigine in Early Australian Fiction, 1840-70

**‘Ordinary Readers’ and Political Uses: Re-Examining Helen Garner’s Non-Fiction Writings about Filicide**

‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*

A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*

‘A Window of Life’: Essays on Ruth Park