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Rolf Boldrewood’s *War to the Knife*: Narrative Form and Ideology in the Historical Novel

Anthologies and Orthodoxies

Drama’s Vitallest Expression: The Fiction of Olga Masters

Nationalism before Nationhood: Overseas Horizons in Debates of the 1880s

Price Warung: Some Bibliographical Details and a Checklist of the Stories

Some Mary Gilmore Letters

Kate Baker, ‘Standard-Bearer’

The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*

The One-Actor Play in Australian Drama

Satyrs in the Top Paddock: Metaphysical Pastoral in Australian Poetry

The Bridled Pegaroo, or, Is there a Colonial Poetics of Intertextuality

Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’

A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933

Some Recent Australian Fictions in the Age of Tourism: Murray Bail, Inez Baranay, Gerard Lee

Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934

Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*

What Can Be Read and What Can Only Be Seen in Tim Winton’s Fiction

A Reconsideration of Christina Stead at Work: Fact into Fiction

Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)

Australian Literary and Scholarly Publishing in Its International Context