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The Fiction of Beverley Farmer

‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*

‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth Park

The Ethics of Abjection: Patrick White’s *Riders in the Chariot*

Neither Here Nor There: Suburban Voices in Australian Poetry

Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)

Colonial History and Post-Colonial Fiction : The Writing of Thea Astley

Origin, Identity and the Body in David Malouf’s Fiction

‘Roost High and Crow Low’: The Legacy of Barry Andrews

My Brilliant Career and 1890s Goulburn

Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*

Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*

Excavating a Bonanza: Sarah Campion

Gender and Race Relations in Elizabeth O’Conner’s Northern Homesteads

The Mysterious Case of Carter Brown, or, Who Really Killed the Australian Author

A. D. Hope and the Apocalyptic Splendour of the Sexes

Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century Australia

Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War Memorial

C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval War

Of Sages and Sybils: Alec Hope and Judith Wright