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*Unspoken Thoughts*: A Reassessment of Ada Cambridge

Sir Samuel Griffith, Dante and the Italian Presence in Nineteenth-Century Australian Literary Culture

White Closets, Jangling Nerves and the Biopolitics of the Public Secret

*The Battlers*: Kylie Tennant and the Australian Tradition

‘…The Wild Assertion of Vitality’

Patrick White’s *A Fringe of Leaves*: History and Fiction

Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century Melbourne

Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*

Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*

Folie, Topography and Family in Murray’s Middle-Distance Poems

‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic Omeros

Unknown Australia: Rosa Praed’s Vanished Race

‘But who considers woman day by day?’: Australian Women Poets and World War I

Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950

Australian Gothic: Theatre and the Northern Turn

Patrick White, Saul Bellow and the Problem of Literary Value

Reading and Writing Communities in the Trenches 1914-1918 (France and Italy)

Biopolitical Correspondences: Settler Nationalism, Thanatopolitics, and the Perils of Hybridity

The Tennysons in Literary Adelaide

Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels