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- Under the Influence? Adam McCay: Journalist, Poet, Letter Writer and Influential FriendEssay1 October 2005
- Authors’ Statements [Shirley Hazzard]Essay1 October 1981
- The Values of *Critique*Essay30 October 2023
- Transforming *Jane Eyre*: Its Australian Stage AdaptationsEssay31 October 2015
- Back to Whitton Week: Tracking Tom Keneally's CareerEssay30 May 2015
- Before the Nation: Rolf Boldrewood and the Problem of Scale in National LiteraturesEssay31 October 2015
- Marcus Clarke, the Two George Eliots, and the History of Two NewspapersEssay31 October 2015
- The Historical Basis of For the Term of His Natural LifeEssay1 December 1963
- William Hay and History : A Comment on Aims, Sources and MethodEssay1 December 1965
- Some Developments in Short Fiction, 1969-1980Essay1 October 1981
- On Finding ‘Australia’: Mirages, Mythic Images, Historical CircumstancesEssay1 October 1986
- *Unspoken Thoughts*: A Reassessment of Ada CambridgeEssay1 May 1989
- Sir Samuel Griffith, Dante and the Italian Presence in Nineteenth-Century Australian Literary CultureEssay1 October 1989
- White Closets, Jangling Nerves and the Biopolitics of the Public SecretEssay1 June 2011
- *The Battlers*: Kylie Tennant and the Australian TraditionEssay1 October 1974
- ‘…The Wild Assertion of Vitality’Essay1 October 1977
- Patrick White’s *A Fringe of Leaves*: History and FictionEssay1 October 1978
- Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century MelbourneEssay1 May 1996
- Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*Essay1 October 2002
- Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*Essay1 October 2000