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- Miles Franklin, *My Brilliant Career* and the Female TraditionEssay1 May 1980
- Reading the Signs of Michael Wilding’s ‘Knock, Knock’Essay1 June 1991
- Satyrs in the Top Paddock: Metaphysical Pastoral in Australian PoetryEssay1 May 1992
- The Use of Names and Colours in Randolph Stow’s *Tourmaline*Essay1 October 1990
- Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’Essay1 June 1991
- Hal Porter, *The Tower* and the Quintessence of PorterismEssay1 June 1991
- Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*Essay1 May 1994
- Feral Symbolists: Robert Adamson, John Tranter, and the Response to RimbaudEssay1 May 1994
- Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and CriticismEssay1 May 1995
- Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*Essay1 October 1997
- Un-Australian Activities?: Mary Gilmore’s Versions from the SpanishEssay1 October 1997
- ‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*Essay1 May 1991
- Towards a History of Literary Programming on ABC RadioEssay29 October 2020
- Michael Wilding’s Three Centres of ValueEssay1 May 1998
- Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)Essay1 May 1999
- ‘Years Later’: Temporality and Closure in Peter Carey’s NovelsEssay1 October 1999
- Dorothy Hewett’s Faith in DoubtEssay1 May 2001
- Criminal Transport: George Barrington and the Colonial CureEssay1 May 2002
- All the Way to Cape Grimm: Reflections on Carmel Bird’s FictionEssay1 May 2004
- Conversations at Rochester Road: Carmel Bird Discusses Her Writing with Shirley WalkerEssay1 May 2004