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- Irish Republicanism and the Colonial Australian Bushranger NarrativeEssay30 September 2021
- The Values of *Critique*Essay30 October 2023
- ‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*Essay3 October 2024
- When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’Essay3 October 2024
- Annual Bibliography of Studies in Australian Literature: 2008Essay1 May 2009
- Les Murray’s Talking MosaicsEssay19 December 2024
- Francis Adams: Realism and Sensation in the 1880sEssay31 October 2015
- Marcus Clarke, the Two George Eliots, and the History of Two NewspapersEssay31 October 2015
- ‘…The Wild Assertion of Vitality’Essay1 October 1977
- The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*Essay1 May 1993
- John Grant: Australia’s First ‘Really’ Radical PoetEssay1 May 1994
- ‘Shafts into Our Fundamental Animalism’: Barbara Baynton’s Use of Naturalism in *Bush Studies*Essay1 May 1996
- Short Story Anthologies and ‘the Solid Body of Australian Fiction’Essay1 May 2000
- Treating Dora in *His Natural Life*Essay1 May 2003
- Interview with Andrew TaylorEssay1 May 2004
- Snake Dreaming: The Life-Giving and Life-Taking Powers of the SnakeEssay1 May 2005
- ‘Phrases Between Us’: The Poetry of Anna WickhamEssay1 October 2005
- Rereading David Malouf’s *Fly Away Peter*: The Great War, Aboriginal Dispossession, and the Politics of RememberingEssay1 May 2009
- Ideas about the Thing, Not the Thing Itself: Impact and Other Abstractions and the Politics of Research Performance MeasurementEssay1 November 2013
- Rewriting Anthropology and Identifications on the North Pacific Coast: The Work of George Hunt, William Beynon, Franz Boas, and Marius BarbeauEssay1 November 2010