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- Satyrs in the Top Paddock: Metaphysical Pastoral in Australian PoetryEssay1 May 1992
- The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*Essay1 June 1991
- A Bellyful of Bali: Travel, Writing and Australia/Asia RelationshipsEssay1 October 1996
- Helen Garner’s *Monkey Grip*: The Construction of an Author and Her WorkEssay1 October 1992
- ‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth ParkEssay1 May 1996
- Neither Here Nor There: Suburban Voices in Australian PoetryEssay1 November 1998
- Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned KellyEssay1 May 2002
- The Artful Man: Theory and Authority in Brian Castro’s FictionEssay1 May 2002
- The Solitariness of Alex MillerEssay1 May 2004
- Shopping at Last!: History, Fiction and the Anti-Suburban TraditionEssay1 November 1998
- Conversations at Rochester Road: Carmel Bird Discusses Her Writing with Shirley WalkerEssay1 May 2004
- Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary HistoryEssay1 October 2004
- Professing the Popular: Political Fiction circa 2006Essay1 October 2007
- Singing up Country in the Poetry of Judith Wright and Pablo NerudaEssay1 November 2008
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008
- Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*Essay1 October 2008
- Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*Essay1 October 2009
- Valerie Solanas and the Limits of SpeechEssay1 November 2009
- Review of *The Colonial Kangaroo Hunt* by Ken Gelder and Rachael WeaverReview30 April 2021
- Writing the Irish-Australian Self: Life-Writers and Irish Stereotypes, 1870-2000Essay30 September 2021