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What Can Be Read and What Can Only Be Seen in Tim Winton’s Fiction

The Fiction of Gabrielle Lord

The Tidiest Revolution: Regulative Feminist Autobiography and the De-Facement of the Australian Women’s Movement

‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne Affair

Reading (in/and) *Miranda*

Reading Kate Llewellyn’s Garden(Books)

Review of *Bluestocking in Patagonia*, by Anne Whitehead

Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern Space

Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*

Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth Jolley

You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*

On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*

Persian Sheep, Hawksbill Turtles and Vodsels: The Ethics of Eating in Some Contemporary Narratives

Strange Kinships: Embodiment and Belief in J.M. Coetzee’s *Elizabeth Costello*

Phonographic Books and the Late Nineteenth-Century Reader

Annual Bibliography of Studies in Australian Literature: 2001

Interview with Kerry Reed-Gilbert

Annual Bibliography of Studies in Australian Literature : 1969

At the Edge: Geography and the Imagination in the Work of David Malouf

After Libertarianism: An Interview with Michael Wilding