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- Indigenous Literature and the Extractive IndustriesEssay1 November 2013
- ‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of AnzacEssay1 November 2015
- ‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- A Decade of ComplaintsEssay30 October 2023
- Creative Acts: Archives, Artifacts and Australian Women’s AutobiographiesEssay1 May 1996
- Serving ‘a Male Philosophy’? *Elizabeth Costello*’s Feminism and Coetzee’s Dialogues with JoyceEssay25 February 2018
- Kendall’s Views on Contemporary Writers : A Survey of His CorrespondenceEssay1 June 1964
- The Author of *The Hibernian Father*: An Early Colonial PlaywrightEssay1 December 1966
- The Text of Lawson’s ProseEssay1 December 1966
- Joseph Furphy, JacobeanEssay1 December 1966
- Thomas Keneally’s ‘Innocent’ MenEssay1 May 1981
- Review of *Xavier Herbert* by Laurie ClancyReview1 October 1982
- The English Publication of *His Natural Life*Essay1 October 1982
- Review of *Who Is She? Images of Woman in Australian Fiction', ed. Shirley WalkerReview1 October 1984
- Mansfield and Richardson: A Short Story DialecticEssay1 October 1983
- New Light on Ada CambridgeEssay1 May 1989
- Review of *Big-Noting: The Heroic Theme in Australian War Writing* by Robin Gerster, and *Frank Honywood, Private: A Personal Record of the 1914-1918 War, by Eric Patridge, introduced and annotated by Geoffrey SerleReview1 May 1989
- Tranter’s PlotsEssay1 May 1989
- A Survey of Chinese Translation of Australian LiteratureEssay1 October 1989
- Murnane, Husserl, Derrida: The Scene of WritingEssay1 October 1989