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- Italian Immigrants in Australian Fiction 1900-1950Essay1 May 1993
- ‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard EldershawEssay1 May 1995
- Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and LettersEssay1 May 1993
- ‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*Essay1 May 1991
- Man, Work and Country: The Production of Henry LawsonEssay1 May 1992
- ‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul SolangesEssay1 May 1998
- Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)Essay1 May 1999
- Origin, Identity and the Body in David Malouf’s FictionEssay1 May 1999
- ‘Roost High and Crow Low’: The Legacy of Barry AndrewsEssay1 May 2000
- Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard AwardEssay1 October 1999
- Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*Essay1 May 2003
- Excavating a Bonanza: Sarah CampionEssay1 May 2004
- Australian Literature: Points for DepartureEssay1 October 1999
- Brereton, the *Bulletin*, and A.G. StephensEssay1 June 1963
- All the Way to Cape Grimm: Reflections on Carmel Bird’s FictionEssay1 May 2004
- Reading (in/and) *Miranda*Essay1 May 2006
- ‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*Essay1 October 2006
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008
- The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You KnowEssay1 November 2009
- The Telling of Marmel’s StoryEssay1 June 2009