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- ‘realer than the Real’ : Francis Webb’s 'Ward Two'Essay1 May 1979
- *Capricornia*: Recovering the Imaginative Vision of a Polemical NovelEssay1 May 1981
- Reading the Signs of Michael Wilding’s ‘Knock, Knock’Essay1 June 1991
- Assimilation or Appropriation: Uses of European Literary Forms in Black Australian WritingEssay1 October 1992
- The Use of Names and Colours in Randolph Stow’s *Tourmaline*Essay1 October 1990
- The Bridled Pegaroo, or, Is there a Colonial Poetics of IntertextualityEssay1 June 1991
- Boundary Crossing: The Novels of David FosterEssay1 May 1993
- Italian Immigrants in Australian Fiction 1900-1950Essay1 May 1993
- Feral Symbolists: Robert Adamson, John Tranter, and the Response to RimbaudEssay1 May 1994
- ‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard EldershawEssay1 May 1995
- A Bellyful of Bali: Travel, Writing and Australia/Asia RelationshipsEssay1 October 1996
- Leisure and Grief: The Recent Poetry of Chris Wallace-CrabbeEssay1 October 1996
- ‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her CriticsEssay1 May 1997
- Un-Australian Activities?: Mary Gilmore’s Versions from the SpanishEssay1 October 1997
- ‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*Essay1 May 1998
- Randolph Stow’s *Outrider* and the French Voyager PoemEssay1 October 1997
- The Fiction of Beverley FarmerEssay1 May 1990
- ‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*Essay1 May 1991
- ‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth ParkEssay1 May 1996
- The Ethics of Abjection: Patrick White’s *Riders in the Chariot*Essay1 October 1997