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‘The Scope of Women’s Thought is Necessarily Less’ : The Case of Ada Cambridge

‘Maurice Guest’ and the Siren Voices

Narrative Perspective and Cultural History in *Robbery Under Arms*

A Survey

‘realer than the Real’ : Francis Webb’s 'Ward Two'

*Capricornia*: Recovering the Imaginative Vision of a Polemical Novel

Reading the Signs of Michael Wilding’s ‘Knock, Knock’

Assimilation or Appropriation: Uses of European Literary Forms in Black Australian Writing

The Use of Names and Colours in Randolph Stow’s *Tourmaline*

The Bridled Pegaroo, or, Is there a Colonial Poetics of Intertextuality

Boundary Crossing: The Novels of David Foster

Italian Immigrants in Australian Fiction 1900-1950

Feral Symbolists: Robert Adamson, John Tranter, and the Response to Rimbaud

‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard Eldershaw

A Bellyful of Bali: Travel, Writing and Australia/Asia Relationships

Leisure and Grief: The Recent Poetry of Chris Wallace-Crabbe

‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her Critics

Un-Australian Activities?: Mary Gilmore’s Versions from the Spanish

‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*

Randolph Stow’s *Outrider* and the French Voyager Poem