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‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her Critics

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933

‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*

Some Recent Australian Fictions in the Age of Tourism: Murray Bail, Inez Baranay, Gerard Lee

Dramatising the Self: Beverley Farmer’s Fiction

An Absence of Partisanship

What Can Be Read and What Can Only Be Seen in Tim Winton’s Fiction

Evoking Empathy: Structures of Language and Feeling in Robert Gray’s Poetry

That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*

‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul Solanges

Origin, Identity and the Body in David Malouf’s Fiction

‘Roost High and Crow Low’: The Legacy of Barry Andrews

Les Murray: A Selective Checklist

‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous Melbourne

The Solitariness of Alex Miller

Excavating a Bonanza: Sarah Campion

The Fiction of Gabrielle Lord

About Face: Asian-Australians at Home

Criminal Transport: George Barrington and the Colonial Cure