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- Displaced Homelands in Gerald Murnane’s *Inland*Essay30 September 2021
- **‘It’s Just Some Guy, Not a Monster’: Gendered Violence in Emily Maguire’s Recent Novels**Review28 October 2021
- Antipodal Ireland and Tasmanian Underworlds: John Mitchel and William Moore FerrarEssay30 September 2021
- A Book By Any Other Name? Towards a Social History of the Book in Aboriginal AustraliaEssay1 June 2009
- Francis Adams: Realism and Sensation in the 1880sEssay31 October 2015
- ‘A recognised trouble-maker wherever he goes’: Narrated Surveillance, Redacted Recognition and the International Reach of ASIO’s Cultural Cold WarEssay1 November 2015
- William Hay and History : A Comment on Aims, Sources and MethodEssay1 December 1965
- The Genesis of a Writer: The Early Years of Kenneth MackenzieEssay1 October 1968
- Some Developments in Short Fiction, 1969-1980Essay1 October 1981
- *An Imaginary Life*: The Dimensions of SelfEssay1 May 1989
- Sir Samuel Griffith, Dante and the Italian Presence in Nineteenth-Century Australian Literary CultureEssay1 October 1989
- Why the ‘Pathetic Fallacy’ Isn’t One: Early Modern Vitalism and the Emotions of Nature in Shakespeare and MiltonEssay30 June 2015
- Annual Bibliography of Studies in Australian Literature: 1978Essay1 May 1979
- Interview with Christina SteadEssay1 October 1980
- After Libertarianism: An Interview with Michael WildingEssay1 May 1998
- Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*Essay1 October 2002
- Interview with Andrew TaylorEssay1 May 2004
- ‘There are no lost cities in Australia’: Losing and Finding Australia in the Work of Alan MooreheadEssay1 May 1999
- Wilde Identifications: Queering the Sexual and the National in the Work of Eve LangleyEssay1 October 2002
- ‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*Essay1 May 2004