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- Patrick White, Saul Bellow and the Problem of Literary ValueEssay1 June 2012
- Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. AkhurstEssay1 October 2011
- ‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of AnzacEssay1 November 2015
- ‘The Other Seven Little Australians’: *The Man Who Loved Children* Reads Ethel TurnerEssay1 October 2010
- Henry Kendall’s Twofold Life: Sin, Shame and the Experience of Colonial PoetryEssay1 October 2010
- The Asian Conspiracy: Deploying Voice/Deploying StoryEssay1 October 2010
- Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’Essay1 November 2013
- ‘Having Fun with the Professors’: Gwen Harwood and Doctor EisenbartEssay26 February 2017
- Annual Bibliography of Studies in Australian Literature: 1989Essay1 May 1990
- Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria*Essay29 October 2020
- **Wenz Reinvented: The Making and Remaking of a French-Australian Transnational Writer**Essay30 April 2021
- Site Unscene: Medial Ideology and the Literary InterfaceEssay19 December 2019
- Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)Essay18 December 2023
- Textual Encounters of the Bird Kind: Dal Stivens and the Night ParrotEssay18 December 2023
- Simon During, Crisis Talk and the Legacies of the 1980sEssay30 October 2023
- Inscription and the Settler Colony: Theorising Aboriginal Textuality TodayEssay25 May 2024
- Towards a History of Literary Programming on ABC RadioEssay29 October 2020
- **Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**Essay28 October 2021
- Irish-Australian Literature: Ghosts, Genealogy, TraditionEssay30 September 2021
- ‘A Message to Humanity on Behalf of the Adult Deaf’: The Protest Writing of John Patrick BourkeEssay23 May 2022