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- Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)Essay1 May 1999
- Colonial History and Post-Colonial Fiction : The Writing of Thea AstleyEssay1 May 1999
- Writers Behaving Badly: Stead, Bourdieu and Australian Literary CultureEssay1 May 2001
- Les Murray: A Selective ChecklistEssay1 October 2001
- My Brilliant Career and 1890s GoulburnEssay1 October 2002
- Un/making Sexuality: *Such Is Life* and the Observant Queer ReaderEssay1 October 2003
- Excavating a Bonanza: Sarah CampionEssay1 May 2004
- Shopping at Last!: History, Fiction and the Anti-Suburban TraditionEssay1 November 1998
- Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-PetersenEssay1 May 2001
- Gender and Race Relations in Elizabeth O’Conner’s Northern HomesteadsEssay1 May 2003
- A. D. Hope and the Apocalyptic Splendour of the SexesEssay1 October 2000
- Obscene and Over Here : National Sex and the Love Me Sailor Obscenity TrialEssay1 October 2002
- Not Reading the Nation: Australian Readers of the 1890sEssay1 May 2006
- Mid-Victorian Reading and the AntipodesEssay1 May 2006
- ‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*Essay1 October 2006
- C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval WarEssay1 May 2007
- ‘The Life, the Loves, of that Dark Race’: The Ethnographic Verse of Mid-Nineteenth-Century AustraliaEssay1 May 2007
- ‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*Essay1 October 2007
- Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*Essay1 November 2008
- Of Sages and Sybils: Alec Hope and Judith WrightEssay1 May 2009