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‘Phrases Between Us’: The Poetry of Anna Wickham

Remembering the War: Australian Novelists of the InterWar Years

The Literary Destruction of Canberra: Utopia, Apocalypse and the National Capital

Australian Gothic: Theatre and the Northern Turn

Ideas about the Thing, Not the Thing Itself: Impact and Other Abstractions and the Politics of Research Performance Measurement

Rewriting Anthropology and Identifications on the North Pacific Coast: The Work of George Hunt, William Beynon, Franz Boas, and Marius Barbeau

Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes Herself

Composing *Rayuela*: The Musical Element in Julio Corrazar’s Narrative

R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia: Ophelia Set adrift in the Cross-Currents of Interdisciplinary Culture

Toward Worlding Settler Texts: Tracking the Uses of Miles Franklin’s *My Brilliant Career* through the Curriculum

Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria*

New Directions in Australian Literary Studies?: A Preliminary Discussion in Three Articles

Revisiting the ‘Problem’ of Anthropomorphism through Ceridwen Dovey’s *Only the Animals* (2014)

‘Nearly all deep fertile soil’: Les Murray, His Son and Autism

Kangaroo Redux: Reading the Conflicts of South Australian Settler Colonialism in W.A. Cawthorne’s *Kuperree*

Defining the Field of Irish-Australian Literature: Challenges and Conundrums

Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences Frontier

Simon During, Crisis Talk and the Legacies of the 1980s

Writing the Irish-Australian Self: Life-Writers and Irish Stereotypes, 1870-2000

Patrick White’s Studies for *Voss*