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- Centre of Fierceness: Francis Webb’s Vision of the ArtistEssay1 October 1975
- Truth beyond the Language Game: The Poetry of Gwen HarwoodEssay1 May 1976
- The Craftsmanship of Lawson RevisitedEssay1 October 1976
- Jindyworobaks and AboriginesEssay1 May 1977
- Alan SeymourEssay1 May 1974
- The Structure of Frederic Manning’s War Novel *Her Privates We*Essay1 October 1974
- Marcus Clarke’s *Chidiock Tichbourne*Essay1 October 1974
- A SurveyEssay1 October 1977
- Transfigured Histories: Recent Novels of Patrick White and Robert DreweEssay1 May 1979
- Louisa and Henry and Gertie and the Drover’s WifeEssay1 May 1980
- Topographies of the Self: Coming to Terms with the Australian Landscape in Contemporary Australian PoetryEssay1 June 1991
- ‘Savage Paradise’: History, Violence and the Family in Some Recent Australian FictionEssay1 June 1991
- Exploring Aesthetics: The Picturesque Appropriation of Land in Journals of Australian ExplorationEssay1 October 1992
- Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*Essay1 October 1990
- Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*Essay1 June 1991
- The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*Essay1 June 1991
- ‘Contour-Line by Contour’: Landscape Change as an Index of History in the Poetry of Les MurrayEssay1 May 1994
- Feral Symbolists: Robert Adamson, John Tranter, and the Response to RimbaudEssay1 May 1994
- ‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard EldershawEssay1 May 1995
- Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and CriticismEssay1 May 1995