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- Australian Letters and Postwar ModernityEssay1 October 2008
- Symbolism and the Antipodes: The Fallen Woman in Caroline Leakey’s *Lyra Australis, or Attempts to Sing in a Strange Land*Essay31 October 2015
- Australian Literary Studies in the 1940s: The Commonwealth Literary Fund LecturesEssay1 November 2015
- Annual Bibliography of Studies in Australian Literature: 1967Essay1 May 1968
- The Development of an Egalitarian Poetics in the Bulletin, 1880-1890Essay1 May 1981
- The Usable Past: Australian War Fiction of the 1950sEssay1 October 1985
- ‘Preserving the White Race’: Some Australian Women’s Literary Responses to the Great WarEssay1 October 1985
- Anthologies and OrthodoxiesEssay1 May 1987
- A Survey of Australian Utopian and Dystopian FictionEssay1 May 1987
- A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*Essay1 May 1989
- ‘Interest’ in Les A. MurrayEssay1 October 1989
- Nationalism before Nationhood: Overseas Horizons in Debates of the 1880sEssay1 October 1990
- Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*Essay30 June 2015
- Price Warung: Some Bibliographical Details and a Checklist of the StoriesEssay1 October 1968
- The Structure of Frederic Manning’s War Novel *Her Privates We*Essay1 October 1974
- A SurveyEssay1 October 1977
- The ‘Literary Photographs’ of Henry LawsonEssay1 October 1978
- Kate Baker, ‘Standard-Bearer’Essay1 May 1980
- Louisa and Henry and Gertie and the Drover’s WifeEssay1 May 1980
- *Capricornia*: Recovering the Imaginative Vision of a Polemical NovelEssay1 May 1981