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‘…The Wild Assertion of Vitality’

Literary Criticism in Australia: A Change of Critical Paradigms?

John Grant: Australia’s First ‘Really’ Radical Poet

Official Criticism? Critical Practices and Australian Poetry

Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ Play

‘Shafts into Our Fundamental Animalism’: Barbara Baynton’s Use of Naturalism in *Bush Studies*

‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian Masquerade

Short Story Anthologies and ‘the Solid Body of Australian Fiction’

The Drowned World of Kenneth Slessor

Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*

‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*

Demidenko/Darville: A Ukrainian-Australian Point of View

A Ghost Story in Two Part : Charles Dickens, Peter Carey, and Avenging Phantoms

Unknown Australia: Rosa Praed’s Vanished Race

The Australian Home-Front Novel of the Second World War: Genre, Gender and Region

In the Beginning: David Malouf’s *An Imaginary Life*

‘Phrases Between Us’: The Poetry of Anna Wickham

‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s Fiction

Remembering the War: Australian Novelists of the InterWar Years

*West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of Movement