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- Review of *Gangland: Cultural Elites and the New Generationalism*, by Mark DavisReview1 May 1998
- Review of *Playing Australia: Australian Theatre and the International Stage*, edited by Elizabeth Schafer and Susan Bradley SmithReview1 May 2005
- Review of *Pacifism and English Literature: Minstrels of Peace*, by R.S. WhiteReview1 May 2010
- Review of *Patrick White: A Bibliography*, by Brian Hubber and Vivian SmithReview1 May 2005
- Review of *Read It Again*, by Chris Wallace-CrabbeReview1 May 2007
- *The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite WhodunnitEssay19 December 2024
- Review of *Antipodal Shakespeare: Remembering and Forgetting in Britain, Australia and New Zealand, 1916-2016*, by Gordon McMullan and Philip Mead, with Ailsa Grant Ferguson, Kate Flaherty, and Mark HoulahanReview9 July 2018
- The Historical Basis of ‘Robbery Under Arms’Essay1 June 1965
- Romantic Attitudes in *Geoffry Hamlyn*Essay1 December 1965
- Joseph Furphy, JacobeanEssay1 December 1966
- Some Poems of Judith WrightEssay1 May 1968
- Australia’s ‘First’ DramatistsEssay1 May 1969
- Hal Porter’s Comic ModeEssay1 October 1970
- Catherine Helen Spence, Unitarian UtopianEssay1 May 1971
- Maurice Frere’s Wife : Marcus Clarke’s Revision of ‘His Natural Life’Essay1 October 1970
- Burke and Wills and the Colonial Hero: Three PoemsEssay1 October 1971
- A Checklist of Black Australian LiteratureEssay1 October 1983
- Vance Palmer and the Unguarded AwarenessEssay1 May 1974
- A.D. Hope’s ‘The Double Looking Glass’: A ReadingReview1 October 1974
- Anzac, Literary Genre and MemoryEssay1 October 1996