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- The Reconstruction of Self: Background and Design in George Johnston’s Meredith TrilogyEssay1 October 1984
- My Unilateral Debate: Katharine Susannah Prichard, Rebel Heroes and Matters PertainingEssay1 October 1983
- Rolf Boldrewood’s *War to the Knife*: Narrative Form and Ideology in the Historical NovelEssay1 May 1986
- Representation and Particularity in Pastoral: Some Examples from *Walden*Essay30 June 2015
- Nude Bathing Scenes as an Australian Pastoral Mode: Strategies and Tactics in Australian Art around the Turn of the Twentieth CenturyEssay30 June 2015
- Some Mary Gilmore LettersEssay1 October 1972
- ‘The Scope of Women’s Thought is Necessarily Less’ : The Case of Ada CambridgeEssay1 October 1972
- ‘Maurice Guest’ and the Siren VoicesEssay1 October 1972
- Marcus Clarke: ‘Christianity is Dead’Essay1 October 1973
- Marcus Clarke’s *Chidiock Tichbourne*Essay1 October 1974
- Daniel Deniehy: A Checklist of Writings and SpeechesEssay1 May 1980
- Louisa and Henry and Gertie and the Drover’s WifeEssay1 May 1980
- The Support of Literature in Colonial AustraliaEssay1 October 1980
- The One-Actor Play in Australian DramaEssay1 May 1981
- The Bridled Pegaroo, or, Is there a Colonial Poetics of IntertextualityEssay1 June 1991
- A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933Essay1 May 1998
- An Interview with Archie WellerEssay1 October 1993
- Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*Essay1 May 1995
- Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*Essay1 May 1995
- Imagined Counterpart: Outlining a Conceptual Literary Geography of AustraliaEssay1 June 1991