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- The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*Essay1 October 1980
- Exploring Aesthetics: The Picturesque Appropriation of Land in Journals of Australian ExplorationEssay1 October 1992
- Assimilation or Appropriation: Uses of European Literary Forms in Black Australian WritingEssay1 October 1992
- Sonnet Sequences in Australia (1832-1990): A Preliminary ChecklistEssay1 October 1993
- Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*Essay1 May 1994
- ‘Contour-Line by Contour’: Landscape Change as an Index of History in the Poetry of Les MurrayEssay1 May 1994
- Lesbia Harford’s Homefront Warrior and Women’s World War I WritingEssay1 May 1995
- Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and CriticismEssay1 May 1995
- Janette Turner Hospital’s Radical Re-Writing: Oedipal CharadesEssay1 October 1996
- Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and LettersEssay1 May 1993
- ‘Deadly’ Work: Reading the Short Fiction of Archie WellerEssay1 October 1993
- An Interview with Archie WellerEssay1 October 1993
- Still Life: Art and Nature in Vivian Smith’s PoetryEssay1 October 1995
- Ages of Reason: Ethics, Metaphor and the Work of Jennifer MaidenEssay1 May 1996
- An Absence of PartisanshipReview1 May 1997
- A Reconsideration of Christina Stead at Work: Fact into FictionEssay1 May 1997
- Randolph Stow’s *Outrider* and the French Voyager PoemEssay1 October 1997
- The Fiction of Beverley FarmerEssay1 May 1990
- ‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth ParkEssay1 May 1996
- Neither Here Nor There: Suburban Voices in Australian PoetryEssay1 November 1998