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Anthologies and Orthodoxies

Ways of Seeing : Henry Lawson’s ‘Going Blind’

The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*

‘Savage Paradise’: History, Violence and the Family in Some Recent Australian Fiction

‘Contour-Line by Contour’: Landscape Change as an Index of History in the Poetry of Les Murray

Feral Symbolists: Robert Adamson, John Tranter, and the Response to Rimbaud

‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard Eldershaw

Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and Criticism

‘What Is Gone Is Not Gone’: Intimations in the Poetry of Thomas Shapcott

‘Years Later’: Temporality and Closure in Peter Carey’s Novels

Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century Australia

Elizabeth Jolley’s Late Work

Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth Century

Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*

The Evolution of George Johnston’s David Meredith

War Poetry: Myth as De-formation and Re-formation

Sheer Voice and Fidget Wheels: A Study of 'Five Bells'

Is There No End to Travelling? Paul Carter in the Linguistic No-Man’s-Land

Wildness and Wilderness: Anti-pastoralism and the Problematic Politics of Edward Abbey

The Whirligig and Furphy