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- Visions of Western Sydney in Howard’s Australia: Luke Carman’s *An Elegant Young Man*, Peter Polites’s *Down the Hume* and Michael Mohammed Ahmad’s *The Lebs*Essay11 December 2022
- The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*Essay28 October 2021
- Vincent Buckley, Colonialism and the Problem of Irish-Australian IdentityEssay30 September 2021
- ‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay FictionEssay18 December 2023
- The Values of *Critique*Essay30 October 2023
- By Association: Crafting Mission and Values Statements for the Australian University Heads of EnglishEssay30 October 2023
- 'Tipping the Scales': Introduction to Australian Literary Studies Literary Value Special IssueEssay30 October 2023
- Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*Essay3 October 2024
- Neo-Victorian Approaches to the Colonial Past in Ruth Park’s *Playing Beatie Bow*Essay3 October 2024
- Place, History and Story: Tony Birch and the Yarra RiverEssay5 May 2016
- ‘The Beast Within’: Degeneration in *Dr Jekyll and Mr Hyde* and Three Australian Short StoriesEssay31 October 2015
- Before the Nation: Rolf Boldrewood and the Problem of Scale in National LiteraturesEssay31 October 2015
- ‘The Fullness of Life’: The Poetics and Politics of Jack LindsayEssay1 November 2015
- ‘A recognised trouble-maker wherever he goes’: Narrated Surveillance, Redacted Recognition and the International Reach of ASIO’s Cultural Cold WarEssay1 November 2015
- William Hay and History : A Comment on Aims, Sources and MethodEssay1 December 1965
- The Redemptive Theme in *His Natural Life*Essay1 June 1965
- Interview with Randolph StowEssay1 May 1982
- Editing A.D. HopeEssay1 October 1986
- White Closets, Jangling Nerves and the Biopolitics of the Public SecretEssay1 June 2011
- Why the ‘Pathetic Fallacy’ Isn’t One: Early Modern Vitalism and the Emotions of Nature in Shakespeare and MiltonEssay30 June 2015