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Displaced Homelands in Gerald Murnane’s *Inland*

Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*

Visions of Western Sydney in Howard’s Australia: Luke Carman’s *An Elegant Young Man*, Peter Polites’s *Down the Hume* and Michael Mohammed Ahmad’s *The Lebs*

The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*

Vincent Buckley, Colonialism and the Problem of Irish-Australian Identity

‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay Fiction

The Values of *Critique*

By Association: Crafting Mission and Values Statements for the Australian University Heads of English

'Tipping the Scales': Introduction to Australian Literary Studies Literary Value Special Issue

Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*

Neo-Victorian Approaches to the Colonial Past in Ruth Park’s *Playing Beatie Bow*

Place, History and Story: Tony Birch and the Yarra River

‘The Beast Within’: Degeneration in *Dr Jekyll and Mr Hyde* and Three Australian Short Stories

Before the Nation: Rolf Boldrewood and the Problem of Scale in National Literatures

‘The Fullness of Life’: The Poetics and Politics of Jack Lindsay

‘A recognised trouble-maker wherever he goes’: Narrated Surveillance, Redacted Recognition and the International Reach of ASIO’s Cultural Cold War

William Hay and History : A Comment on Aims, Sources and Method

The Redemptive Theme in *His Natural Life*

Interview with Randolph Stow

Editing A.D. Hope