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- ‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of AnzacEssay1 November 2015
- Henry Kendall’s Twofold Life: Sin, Shame and the Experience of Colonial PoetryEssay1 October 2010
- Beatrice Davis and ‘The Sacredness of the Printed Word’Essay1 October 2012
- Strange in the Cold Blue Light: Sensation and Science in the *Australian Journal*Essay31 October 2015
- ‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp ModernismEssay19 December 2019
- **Contingencies of Meaning Making: English Teaching and Literary Sociability**Essay29 October 2020
- Helen Garner’s EducationEssay28 October 2021
- Irish Protestant Colonialism and Educational Ideology in Australia:** **Hannah Boyd’s *Letters on Education* (1848)Essay30 September 2021
- Caesura and the Deforming Poem: Rupture as a Space for the OtherEssay23 May 2022
- Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences FrontierEssay30 October 2023
- One Decade, Two Accounts: The Aboriginal Arts Board and ‘Aboriginal literature’, 1973-1983Essay5 May 2016
- Resisting Productionist Timescapes by Making Better Futures in the Present: Care for Country in Western Sydney LiteraturesEssay25 May 2024
- Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.Essay10 August 2016
- H. G. Wells in AustraliaEssay30 May 1990
- The D.H. Lawrence - P.R. Stephensen LettersEssay1 May 1984
- New Directions in Australian Literary Studies?: A Preliminary Discussion in Three ArticlesEssay1 October 1999