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Charles Harpur and the Myth of Origins

Sir Samuel Griffith, Dante and the Italian Presence in Nineteenth-Century Australian Literary Culture

White Closets, Jangling Nerves and the Biopolitics of the Public Secret

Why the ‘Pathetic Fallacy’ Isn’t One: Early Modern Vitalism and the Emotions of Nature in Shakespeare and Milton

The Treatment of the Aborigine in Early Australian Fiction, 1840-70

John Grant: Australia’s First ‘Really’ Radical Poet

No Tyranny of Distance: The Reception of Publications on Australia in *The Athenaeum* 1828-1850

After Libertarianism: An Interview with Michael Wilding

Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ Play

Charles Harpur’s Disfiguring Origins: Allegory in Colonial Poetry

Society of Women Writers 1925-1935

Good Readers and Good Citizens: Literature, Media and the Nation

‘But who considers woman day by day?’: Australian Women Poets and World War I

Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950

‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of Anzac

Henry Kendall’s Twofold Life: Sin, Shame and the Experience of Colonial Poetry

Beatrice Davis and ‘The Sacredness of the Printed Word’

Strange in the Cold Blue Light: Sensation and Science in the *Australian Journal*

‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp Modernism

**Contingencies of Meaning Making: English Teaching and Literary Sociability**