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- ‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.Essay16 November 2016
- ‘A recognised trouble-maker wherever he goes’: Narrated Surveillance, Redacted Recognition and the International Reach of ASIO’s Cultural Cold WarEssay1 November 2015
- The Historical Basis of For the Term of His Natural LifeEssay1 December 1963
- The Composition of *Geoffry Hamlyn*: The Legend and the FactsEssay1 October 1968
- The ABC and The Sponsorship of Australian Radio Drama: 1932-1951Essay1 October 1982
- Annual Bibliography of Studies in Australian Literature : 1982Essay1 May 1983
- At the Edge: Geography and the Imagination in the Work of David MaloufEssay1 May 1985
- Editing A.D. HopeEssay1 October 1986
- Sir Samuel Griffith, Dante and the Italian Presence in Nineteenth-Century Australian Literary CultureEssay1 October 1989
- White Closets, Jangling Nerves and the Biopolitics of the Public SecretEssay1 June 2011
- Annual Bibliography of Studies in Australian Literature : 1975Essay1 May 1976
- The Treatment of the Aborigine in Early Australian Fiction, 1840-70Essay1 May 1972
- John Grant: Australia’s First ‘Really’ Radical PoetEssay1 May 1994
- Charles Harpur’s Disfiguring Origins: Allegory in Colonial PoetryEssay1 May 1990
- ‘From the Lips of a Lady’: Mrs A.M. Hamilton-Grey’s First Biography of Henry KendallEssay1 May 2004
- The Drowned World of Kenneth SlessorEssay1 May 2001
- Good Readers and Good Citizens: Literature, Media and the NationEssay1 October 1999
- Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*Essay1 October 2000
- Wilde Identifications: Queering the Sexual and the National in the Work of Eve LangleyEssay1 October 2002
- ‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*Essay1 May 2004